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Pierre
Bonnard. Earthly Paradise, 1916/20. Oil on canvas. The Art Institute
of Chicago, estate of Joanne Toor Cummings; Bette and Neison Harris and
Searle Family Trust endowments; through prior gifts of Mrs. Henry C. Woods
(cat. no. 52)
This richly colored
canvas is one of four decorative panels commissioned for the Paris home
of Pierre Bonnards dealers Josse and Gaston Bernheim. (Two of the
other panels, Pastoral Symphony and Workers on the Seine, are
also in the exhibition.) The lush outdoor setting is filled with Biblical
allusions to Eden: the nude couple perhaps symbolize Adam and Eve surrounded
by numerous animals, including a monkey, birds, rabbits, and a snake (spiraling
around a branch on the far right). The implied tension between the remote
and distant man, standing against a tree, and the seductively posed, reclining
woman suggests the Biblical fall from grace, and may also allude to a
tumultuous romance in Bonnards own life. The painter communicated
his smoldering vision of a lost paradise withthe brilliant, saturated
hues and fluid brushwork that hearken back to Impressionism.
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