This woodcut and coffer demonstrate the very unusual survival of a print in its original context. Incredibly, ten other impressions of this stencil-colored, mass-produced Nativity survive, all also in boxes, and approximately one hundred other French coffers ornamented with similar prints exist. Their original purpose, however, remains uncertain. Despite their metal reinforcements and standardized lock, they were not sturdy enough to be strapped to pack animals. They may instead have been worn as backpacks, with the cushion on the bottom allowing the container to sit on the traveler’s knees for use as a movable shrine. A shallow secret compartment in the lid of this example is equally mysterious. It may have held contact relics, such as fabric or hair, or even consecrated Communion wafers, an unseen presence that would have reinforced the devotional value of the entire object.

— Exhibition label, Altered and Adorned: Using Renaissance Prints in Daily Life, April 30, 2011–July 10, 2011, Galleries 124–127.