David Octavius Hill and Robert Adamson (Scottish, 1802–1870 and 1821–1848)
The work of David Octavius Hill and Robert Adamson was an inspiration to Pictorialist photographers active in later decades. Admirers of the duo’s work praised its grainy textures and rich tonality, comparing their work to that of Rembrandt. Alfred Stieglitz twice published this portrait of the writer and art historian Anna Brownell Jameson in Camera Work. This salt print was likely created while Hill and Adamson were still active. Materials research has revealed that the paper Hill and Adamson used contains microscopic specks of blue glass—an additive typically used to brighten writing papers—reflecting the improvised nature of the photographic process at this time.
Additional resources related to this object are to the right. Comprehensive material analysis can be found in the Object Research PDF.
Artists
One of the most important collaborations in the history of photography began when the Scottish read more
Processes
The earliest commonly used method for printing photographic images on paper, salt prints were employed read more
Galleries
The Little Galleries of the Photo-Secession—later known as 291—began as a place to display and read more
Galleries
At his last gallery, An American Place, Stieglitz welcomed a stream of visitors who wanted read more
Journals
Stieglitz had edited two previous publications—The American Amateur Photographer and Camera Notes—before deciding in 1902 read more
Themes
In their quest to legitimate photography as a fine art, Alfred Stieglitz and the Photo-Secession read more
Themes
As part of the research related to this site, forty-four photographs from the Art Institute’s read more
Themes
The international movement known as Pictorialism represented both a photographic aesthetic and a set of read more
In: Camera Work 11 (July 1905)
In: Camera Work 37 (January 1912)
Exhibited: Hamburg, 1899
Exhibited: Glasgow, 1901
Exhibited: Buffalo, 1910
Exhibited: New York, 1937
Exhibited: Philadelphia, 1944