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THE TAOIST RENAISSANCE

Zhenwu, the Perfected Warrior



  Ink rubbing of a stele from the Six Harmonies Pagoda, Hangzhou, Zhejiang Province (Detail)
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Zhenwu, Supreme Emperor of the Dark Heaven (detail)
Ink rubbing of a stele from the Six Harmonies Pagoda, Hangzhou, Zhejiang province
Ming dynasty, Wanli reign, dated 1586
Hanging scroll; ink on paper
148.6 x 67.6 cm
Nelson-Atkins Museum of Art, Kansas City; bequest of Laurence Sickman
cat. no. 114

    

Zhenwu, Supreme Emperor of the Dark Heaven

Like the small statue Zhenwu, Supreme Emperor of the Dark Heaven, this is an interesting example of a Taoist god depicted in a Buddhist context. This rubbing, taken from a stone stele (now destroyed) in a Buddhist temple, shows the god descending over swirling waves on a black cloud. His robes and banner, decorated with the stars of the Northern Dipper (Big Dipper), are whipped by the wind, symbolizing his stormlike spiritual power. A bolt of lightning charges his sword. He stands on the back of a tortoise entwined by a snake, symbol of the direction north in the Five Phase system. According to legend, when the Perfected Warrior battled the demon kings of the north, the kings caused yin and yang energy to appear as giant tortoises and snakes. Zhenwu then conquered these beasts by stepping on them. Early on, the symbol was used to represent him. Later Ming-dynasty images of Zhenwu often show these two animals at his feet.

The inscription on the right indicates that the stele from which this rubbing was taken was a restoration of an earlier stele that had been rubbed beyond recognition by 1586. This suggests that visitors to the temple had been making rubbings of the god's image for many years.


  


    




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