This book of receipts lists the publications available for purchase during the exhibition and how the Art Institute profited from their sale. While predominantly composed of monographs on major artists represented in the show (Redon and Cézanne, for example) and a catalog specific to the slimmed-down show, the reactionary, Chicago-specific For and Against, presented varying perspectives on the work to the Chicago public.

1. General Funds, Receipts, and Disbursements. June 1910 to May 1913.
2. Cézanne. Elie Faure. Translated by Walter Pach. 1913.
3. Odilon Redon. Walter Pach. 1913.
4. For and Against: Views on the International Exhibition held in New York and Chicago. Edited by Frederick James Gregg. 1913.
5. Catalogue of the International Exhibition of Modernist Art. Second edition; March 24 to April 16, 1913.