Alfred Stieglitz (American, 1864–1946)
In an 1899 article Stieglitz singled out The Net Mender as his favorite among his own pictures: “It expresses the life of a young Dutch woman: every stitch in the mending of the fishing net, the very rudiment of her existence, brings forth a torrent of poetic thoughts in those who watch her sit there on the vast and seemingly endless dunes, toiling with that seriousness and peacefulness which is so characteristic of these sturdy people.”[1] He noted that the exhibition prints of the image had been produced as enlarged carbon prints because “the subject needs size to fully express it.”[2] Indeed, a sketched diagram in pencil on the verso reveals notes on framing, indicating the care Stieglitz took presenting his works for exhibition.
Additional resources related to this object are to the right. Comprehensive material analysis can be found in the Object Research PDF.
[1] Alfred Stieglitz, “My Favorite Picture,” Photographic Life 1 (1899), reprinted in Richard Whelan, ed., Stieglitz on Photography: His Selected Essays and Notes (Aperture, 2000), p. 61.
[2] Ibid.
Artists
Through his own photographic work over the course of a half century, the journals he read more
Processes
Introduced in the mid-1850s, carbon prints are the result of a transfer process. First, a read more
Journals
In 1896, when New York’s two leading amateur camera clubs merged to create the Camera read more
Themes
As part of the research related to this site, forty-four photographs from the Art Institute’s read more
Themes
The international movement known as Pictorialism represented both a photographic aesthetic and a set of read more
Themes
Following the model of other artistic secessions in Europe around the turn of the century—notably read more
Stieglitz Series
As a young man Alfred Stieglitz studied photochemistry in Berlin, and he returned to New read more
In: Camera Notes 2, 3 (January 1899)
Exhibited: London, 1895
Exhibited: Hamburg, 1896
Exhibited: London, 1897
Exhibited: Paris, 1898
Exhibited: Philadelphia, 1898
Exhibited: New York, 1899
Exhibited: Chicago, 1900
Exhibited: Philadelphia, 1900
Exhibited: Glasgow, 1901
Exhibited: New York, 1902
Exhibited: Pittsburgh, 1904
Exhibited: The Hague, 1904
Exhibited: Buffalo, 1910