The Art Institute of Chicago published Surrealism and Its Affinities: The Mary Reynolds Collection, A Bibliography in 1956. This comprehensive catalogue, published in an edition of 1,375 copies, was realized through the vision and sponsorship of Frank Brookes Hubachek, who devoted countless hours to its development and production. It was compiled by Hugh Edwards, then Associate Curator of Photography, with the assistance of Carl O. Schniewind, then Curator of Prints and Drawings; Ruth Schoneman, then Librarian; and Anselmo (Sam) Carini, then Editor of Publications; and designed by Suzette M. Zurcher, then a trustee of the Art Institute of Chicago. Several of Reynolds' friends also contributed to the catalogue, including Djuna Barnes, Alexander Calder, Jean Cocteau, Jacques Villon, and, of course, Marcel Duchamp. A second edition of the catalogue, in an edition of 2,000 copies, was published in 1973.

Further publications on the life and art of Mary Louise Reynolds include:

• The Art Institute of Chicago's Museum Studies, Volume 22, no. 2 -- Mary Reynolds and the Spirit of Surrealism (Chicago, 1996)
• Étant Donné, no. 8 -- Marcel Duchamp & Mary Reynolds / [direction et rédaction, Paul B. Franklin] (Paris, [2007])
• Mary Reynolds Collection on Dada and Surrealism, found on the Ryerson & Burnham Libraries page on the Art Institute of Chicago's website: http://www.artic.edu/reynolds/

1. Letter from Frank B. Hubachek to Marcel Duchamp, outlining a "Progress Report" on the Mary Reynolds Collection catalogue, November 7, 1955.
2. Duchamp's response to F. B. Hubachek's "Progress Report," November 27, 1955.
3. Surrealism and Its Affinities, featuring Reynolds' binding for Les Mains Libres (The Free Hands), cover.
4. Surrealism and Its Affinities, frontispiece illustration by Hans Arp.
5. Surrealism and Its Affinities, title page.
6. Surrealism and Its Affinities, acknowledgments page.
7. Surrealism and Its Affinities, Marcel Duchamp's preface, page 5 (1 of 2).
8. Surrealism and Its Affinities, Marcel Duchamp's preface, page 6 (2 of 2).
9. Letter from Daniel Catton Rich, then Director of the Art Institute of Chicago, to Frank Brookes Hubachek regarding his receipt of and commentary on Surrealism and Its Affinities, December 31, 1956.
10. Letter from Marcel Duchamp to Frank B. Hubachek with his congratulations and gratitude for Surrealism and Its Affinities, November 25, 1956.
11. Letter from Jean Cocteau to Marcel Duchamp, in French, February 7, 1957.
12. Letter from Frank B. Hubachek to Carl O. Schniewind, with a translation of Cocteau's above handwritten note, February 14, 1957.