Van Gogh is born in his parents’ parsonage.
The Markt in Zundert with the Van Gogh parsonage at center. Van Gogh Museum, Amsterdam, Archives.
Van Gogh’s earliest known drawing. Van Gogh. Barn and Farmhouse, Feb. 8, 1864. Pencil on paper; 20 × 27 cm (7 ⅞ × 10 ⅝ in.). Scholte–van Houten Collection.
Resides at Zandweg A40 while attending Jan Provily’s boarding school for boys.
Stationsstraat in Zevenbergen with Jan Provily’s boarding school (white building on the left)
Lives at Korvel 57 with the Hannik family while attending the Willem II high school.
Van Gogh (likely third from right in the first row) on the steps of the Tilburg School. Vincents Tekenlokaal, Tilburg/Koning Willem II College, Tilburg.
Returns to live with his family.
Zundert Church. Van Gogh Museum, Amsterdam, Archives.
Lodges with Willem and Dina Roos at Lange Beestenmarkt 32, after being appointed junior apprentice at the art dealership Goupil & Cie.
Goupil Gallery, The Hague. Collection of Mrs. Tersteeg, The Hague.
Van Gogh. Sketch of Het Binnenhof, The Hague, 1870–73. Ink and pencil; 22 × 17 cm (8 11⁄16 × 6 11⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Goupil Gallery, The Hague
Moves to an unknown suburb of London to work for Goupil & Cie; en route, stays in Paris for several days.
Moves into 87 Hackford Road, lodging with Ursula Loyer and her daughter Eugenie.
Ursula Loyer
Eugenie Loyer
Moves into the home of John Parker and his family at 395 Kennington Road, South London.
Temporarily transferred to the Goupil & Cie Paris branch.
Returns from Paris to London.
Transferred back to Goupil’s branch in Paris, living in a small room in Montmartre, address unknown.
After being fired from Goupil, goes to the Van Gogh family’s new home at Roosendaalseweg 4, Etten.
Map of Etten drawn by Van Gogh and his younger brother Cor, July 1878. Pen and ink discolored to brown on machine-made wover paper; 21 × 27.3 cm (8 ¼ × 10 ¾ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh’s drawing of the vicarage and church at Etten, Apr. 1876. Pencil, pen and ink on paper; 9.5 × 17.8 cm (3 ¾ × 7 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Lodges at 11 Spencer Square after taking a position as an assistant teacher at William Stokes’s boarding school for boys.
11 Spencer Square
Van Gogh’s drawing of the view from the Ramsgate boarding school, May 1876. Pencil, pen, and ink on paper; 5.6 × 5.7 cm (2 3⁄16 × 2 ¼ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Moves to Isleworth (near London), Linkfield House, 183 Twickenham Road, where Stokes has opened his new school.
Van Gogh. Houses at Isleworth, July 1876. Pencil; 14 × 14.5 cm (5 ½ × 5 ¾ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
By November 19, Van Gogh is preaching and teaching Sunday school at the Congregational church in Turnham Green and in Petersham.
Van Gogh’s drawing of the churches at Petersham and Turnham Green, Nov. 1876. Pencil, pen, and ink on paper; 3.8 × 10 cm (1 ½ × 3 15⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Moves to Tolbrugstraat A312 and begins working as a general assistant in the Blussé & Van Braam bookshop.
Scheffersplein, the market square in Dordrecht, with Blussé & Van Braam bookshop at center
Lives with his uncle, Jan van Gogh, at Grote Kattenburgerstraat 3 while preparing for his theological studies.
Jan van Gogh
Moves to Laken, outside Brussels, for a three-month trial period training to be an evangelist; lodges with Plugge family at 6, chemin de Halage.
Lodges until the end of December with the evangelist-colporteur Benjamin Vanderhaegen, 39, rue de l’Église.
Moves in with the farmer Jean-Baptiste Denis, 81, rue du Petit-Wasmes.
Home of Jean-Baptiste Denis. Van Gogh Museum, Amsterdam, Archives.
Lodges with the evangelist-miner Édouard Joseph Francq, 5, rue du Pavillon.
Moves into the home of miner Charles Decrucq, at 3, rue du Pavillon. Here, Van Gogh decides to become an artist.
Van Gogh. The Magrot House, Cuesmes, 1879/80. Charcoal over graphite on wove paper; 23 × 29.4 cm (9 1/16 × 11 9⁄16 in.). National Gallery of Art, Washington, D.C.
Van Gogh. The Zandmennik House, Cuesmes, 1879/80. Charcoal over graphite on wove paper; 22.8 × 29.4 cm (9 × 11 9⁄16 in.). National Gallery of Art, Washington, D.C.
The Decrucq home before the 1976 restoration
Moves to 72, boulevard du Midi.
Le boulevard du Midi. Archives de la Ville de Bruxelles.
Moves after a furious argument with his father during his visit to Etten for Christmas.
Rents rooms at Schenkweg 138.
Van Gogh. Carpenter’s Yard and Laundry, late May 1882. Pencil, black chalk, pen, and brush in black ink, brown wash, opaque watercolor, scratched, traces of squaring, on laid paper; 28.6 × 46.8 cm (11 ¼ × 18 7⁄16 in.). Kröller-Müller Museum, Otterlo.
Moves to Schenkweg 136.
Stays in Albertus Hartsuiker’s lodging house, Grote Kerksteeg 51.
Van Gogh. Landscape in Drenthe, Sept.–Oct. 1883. Pencil, pen, brush, and ink, and watercolor on paper; 31.4 × 42.1 cm (12 ⅜ × 16 9⁄16 in.). Van Gogh Museum, Amsterdam (purchased with support from the Vincent van Gogh Foundation and the Rembrandt Association).
Stays in lodging house run by Hendrik Scholte, District E, no. 34.
Van Gogh. Drawbridge in Nieuw-Amsterdam, 1883. Watercolor; 38.5 × 81 cm (15 3⁄16 × 31 ⅞ in.). Collection Groninger Museum, Groninger, the Netherlands.
Lives with his parents in their new parsonage at De berg F523, Nuenen.
Back of parsonage with Van Gogh’s studio on the right. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
The parsonage in Nuenen
Van Gogh. The Potato Eaters, 1885. Oil on canvas; 82 × 114 cm (32 ¼ × 44 ⅞ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Moves out of parsonage and goes to live in a studio rented from Verger Schafrat.
Home of Schafrat, where he rents his studio. Van Gogh Museum, Amsterdam, Archives.
Van Gogh. The Vicarage at Nuenen, Sept.–Oct. 1885. Oil on canvas; 33.2 × 43 cm (13 × 16 15⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Rents a room at 194, rue des Images.
View from a window between the first and second stories at 194, rue des Images. Van Gogh. Houses Seen from the Back, Dec. 1885–Feb. 1886. Oil on canvas; 43.7 × 33.7 cm (17 3⁄16 × 13 ¼ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
At the Antwerp Academy of Art, takes lessons in figure painting and drawing from plaster casts.
Plaster room at the Antwerp Academy of Art
Lives with Theo on the rue de Laval; the small, second-floor apartment doesn’t have room for an easel, so Van Gogh works at the studio of Fernand Cormon at 104, boulevard de Clichy.
In spring of 1886, Van Gogh paints his first self-portrait.
The artist’s earliest known self-portrait. Van Gogh. Self-Portrait, Mar.–June 1886. Oil on canvas; 27.2 × 19 cm (10 11⁄16 × 7 ½ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh and Theo move into a larger apartment at 54, rue Lepic.
Rue Lepic, Paris. Private collection.
Van Gogh. View from Theo’s Apartment, Mar.–Apr. 1887. Oil on canvas; 45.9 × 38.1 cm (18 × 15 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh organizes an exhibition at the Grand Bouillon-Restaurant du Chalet, 43, avenue de Clichy; he meets Georges Seurat and Paul Gauguin when each comes to visit the exhibition.
Henri de Toulouse-Lautrec (French, 1864–1901). Vincent van Gogh, 1887. Chalk on cardboard; 57 × 46 cm (22 7⁄16 × 18 ⅛ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Émile Bernard and Vincent van Gogh (seen from the back) visiting Asnières, a Paris suburb, about 1887. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Visits the studio of Georges Seurat with Theo just hours before boarding a train for Arles.
Van Gogh rents a room in the Hôtel-Restaurant Carrel, 30, rue Cavalerie. He uses a small covered roof terrace as his studio.
Hôtel-Restaurant Carrel. Van Gogh Museum, Amsterdam, Archives.
Van Gogh signs lease for the Yellow House with estate agent Bernard Soulé.
Temporarily takes a room in the Café de la Gare, run by Joseph-Michel and Marie Ginoux, 30, place Lamartine.
Van Gogh. Newly Mown Lawn with a Weeping Tree, 1888. Oil on canvas; 60.5 × 73.5 cm (23 13⁄16 × 28 15⁄16 in.). Kunststiftung Merzbacher, Küsnacht, Switzerland.
Painting hung in Paul Gauguin’s bedroom. Van Gogh. Sunflowers, Aug. 21–26, 1888. Oil on canvas; 91 × 72 cm (35 13⁄16 × 28 ⅜ in.). Neue Pinakothek, Munich.
Van Gogh. Sunflowers in a Vase, Aug. 21–26, 1888. Oil on canvas; 73 × 58 cm (28 ¾ × 22 13⁄16 in.). Private collection.
Painting hung in Paul Gauguin’s bedroom. Van Gogh. Sunflowers, about Aug. 26, 1888. Oil on canvas; 92.1 × 73 cm (36 ¼ × 28 ¾ in.). The National Gallery, London.
Van Gogh. The Night Café, Sept. 6–8, 1888. Oil on canvas; 70 × 89 cm (27 9⁄16 × 35 1⁄16 in.). Yale University Art Gallery, New Haven, Conn.
Van Gogh moves into the Yellow House on the place Lamartine.
The Yellow House. Van Gogh Museum, Amsterdam, Archives.
Van Gogh. The Yellow House (The Street), Sept. 28, 1888. Oil on canvas; 72 × 91.5 cm (28 ⅜ × 36 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
The Yellow House
After two and a half days of self-imposed bed rest, Van Gogh is inspired to paint his bedroom.
Van Gogh. The Bedroom, Oct. 16–17, 1888. Oil on canvas; 72.4 × 91.3 cm (28 ½ × 35 15⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Gauguin moves into the Yellow House.
Painting hung in Paul Gauguin’s bedroom. Van Gogh. Public Garden with Couple and Blue Fir Tree: The Poet’s Garden III, Oct. 6–13, 1888. Oil on canvas; 71 × 92 cm (27 15⁄16 × 36 ¼ in.). Private collection.
Van Gogh. The Alyscamps (“Leaf-fall”), about Nov. 1, 1888. Oil on canvas; 72 × 91 cm (28 ⅜ × 35 13⁄16 in.). Private collection.
Paul Gauguin (French, 1848–1903). Vincent van Gogh Painting Sunflowers, about Dec. 1, 1888. Oil on canvas; 73 × 91 cm (28 ¾ × 35 13⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh is admitted to the Old Hospital in Arles.
The courtyard of the hospital at Arles. Van Gogh Museum, Amsterdam, Archives.
An isolation cell at the Arles hospital
Gauguin departs for Paris.
Van Gogh leaves the hospital and returns to the Yellow House.
Van Gogh. Sunflowers, late January 1889. Oil on canvas; 100 × 76 cm (39 ⅜ × 29 15⁄16 in.). Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo.
Similar to self-portrait depicted in third version of The Bedroom; painting given as a gift to his mother and sister. Van Gogh. Self-Portrait with Clean-Shaven Face, about Jan. 20, 1889. Oil on canvas; 40 × 31 cm (15 ¾ × 12 3⁄16 in.). Private collection.
Van Gogh. Sunflowers, late January 1889. Oil on canvas; 92.4 × 71.1 cm (36 ⅜ × 28 in.). Philadelphia Museum of Art. The Mr. and Mrs. Carroll S. Tyson, Jr., Collection. 1963.
Van Gogh is taken back to the Old Hospital at Arles after a second attack.
Van Gogh is confined to the hospital on police orders after a citizens’ petition against him.
Van Gogh. Courtyard of the Hospital at Arles, Apr. 1889. Oil on canvas; 73 × 93 cm (28 ¾ × 36 ⅝ in.). Collection Oskar Reinhart « Am Römerholz », Winterthur.
Van Gogh. The Ward in the Hospital at Arles, Apr. 1889. Oil on canvas; 72 × 91 cm (28 ⅜ × 35 13⁄16 in.). Collection Oskar Reinhart « Am Römerholz », Winterthur.
Flooding in the Yellow House causes water damage to several of Van Gogh’s works, including the first version of The Bedroom.
Van Gogh sends a crate of paintings, including the first version of The Bedroom, to Theo in Paris.
Van Gogh admits himself to the asylum of Saint-Paul-de-Masole.
Asylum of Saint-Paul-de-Mausole, Saint-Rémy
View from Van Gogh’s window in his room at Saint-Rémy. Van Gogh Museum, Amsterdam, Archives.
Asylum of Saint-Paul-de-Mausole, Saint-Rémy
Van Gogh asks Theo to reline the damaged original Bedroom.
Van Gogh asks Theo to send back the original Bedroom, instead of relining it, so that he can paint a copy.
Theo sends Van Gogh the original Bedroom from Paris to Saint-Rémy.
Cell at the Saint-Rémy asylum
Visits Arles.
Returns to asylum.
Garden of the asylum of Saint-Paul-de-Mausole, Saint-Rémy
Van Gogh paints a second version of The Bedroom.
Van Gogh. The Bedroom, by Sept. 5, 1889. Oil on canvas; 73.6 × 92.3 cm (29 × 36 5⁄16 in.). The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection, 1926.417.
Van Gogh. Pietà after Delacroix, Sept. 6–7, 1889. Oil on canvas; 42 × 34 cm (16 9⁄16 × 13 ⅜ in.). Vatican Museum, Vatican City.
Van Gogh. Reaper with a Scythe (after Jean-François Millet), early Sept. 1889. Oil on canvas; 43.5 × 25 cm (17 ⅛ × 9 9⁄16 in.). Private collection.
Van Gogh. Woman with a Rake (after Jean-François Millet), Sept. 1889. Oil on canvas; 39 × 24 cm (15 ⅜ × 9 7⁄16 in.). Private collection.
Van Gogh paints a third version of The Bedroom as a gift for his mother and sister Willemien.
Van Gogh. The Bedroom, by Sept. 28, 1889. Oil on canvas; 57.5 × 74 cm (22 ⅝ × 29 ⅛ in.). Musée d’Orsay, Paris, sold to national museums under the Treaty of Peace with Japan, 1959.
Van Gogh. Window in the Studio, Sept.–Oct. 1889. Chalk, brush and oil paint and watercolor, on paper; 62 × 47.6 cm (24 7⁄16 × 18 ¾ in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh. Vestibule in the Asylum, Sept.–Oct. 1889. Chalk, brush, and oil paint on paper; 61.6 × 47.1 cm (24 ¼ × 18 9⁄16 in.). Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
Van Gogh. View of the Asylum and Chapel of Saint-Rémy, Oct. 1889. Oil on canvas; 45.1 × 60.4 cm (17 ¾ × 23 ¾ in.). Private collection.
Van Gogh sends Theo the third version of The Bedroom to be sent on to their mother and sister Willemien.
Van Gogh sends Theo the original and second versions of The Bedroom.
Visits Arles again.
Returns to asylum.
Van Gogh. House and Figure, Feb. 1890. Oil on canvas; 52 × 40.5 cm (20 ½ × 15 15⁄16 in.). The Barnes Foundation, Philadelphia.
Van Gogh. Cottages at Sunset (“Reminiscence of Brabant”), Mar.–Apr. 1890. Oil on canvas; 45.5 × 43 cm (17 15⁄16 × 16 15⁄16 in.). Private collection.
Van Gogh is discharged from the asylum.
Arrives in Paris and stays with Theo in his apartment at 8, cité Pigalle.
Van Gogh moves into the Ravoux Inn, Room 5.
The Ravoux family in front of the Ravoux Inn
Van Gogh’s bedroom at the Ravoux Inn. Van Gogh Museum, Amsterdam, Archives.
Van Gogh. Houses at Auvers, late May 1890. Oil on canvas; 75.6 × 61.9 cm (29 ¾ × 24 ⅜ in.). Museum of Fine Arts, Boston.
Van Gogh. Portrait of Dr. Gachet, June 3, 1890. Oil on canvas; 68 × 57 cm (26 ¾ × 22 7⁄16 in.). Musée d’Orsay, Paris, gift of Paul and Marguerite Gachet, children of the model, 1949.
Van Gogh. Daubigny’s Garden, about July 10, 1890. Oil on canvas; 53.2 × 103.5 cm (20 15⁄16 × 40 ¾ in.). Hiroshima Museum of Art.
Van Gogh. Thatched Sandstone Cottages at Chaponval, about July 23, 1890. Oil on canvas; 65 × 81.5 cm (25 9⁄16 × 32 in.). Kunsthaus Zürich.
Van Gogh. Farms near Auvers, July 1890. Oil on canvas; 50.2 × 100.3 cm (19 ¾ × 39 ½ in.). Tate Gallery, London.
Van Gogh dies.
The graves of Vincent and Theo van Gogh, Auvers-sur-Oise. Ryerson and Burnham Libary Archives, Art Institute of Chicago.
Lead support has been provided by the Estate of Jacquet McConville.
Major support has been generously provided by Caryn and King Harris, The Harris Family Foundation; the Gilchrist Foundation; The Morris and Dolores Kohl Kaplan Fund; and Evonne and John Yonover.
Additional funding has been contributed by Constance and David Coolidge, the Mason Foundation, Charlene and Mark Novak, and the Comer Family Foundation.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Kenneth Griffin, Robert M. and Diane v.S. Levy, Thomas and Margot Pritzker, Betsy Bergman Rosenfield and Andrew M. Rosenfield, the Earl and Brenda Shapiro Foundation, and the Woman’s Board.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
© Art Institute of Chicago